Ars Longa Vita Brevis

Field of Death, 8 x 11 watercolor painting by David D. Pearce
Two Ancestors, Same Civil War battle. One lived, One died.
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Memorial Day always brings to mind for me a Civil War battle in which two of my great-great grandfathers fought. One lived, one died.
On February 27, 2017, about four months after leaving government, I drove from my home in northern Virginia to the Cedar Creek battlefield in the Shenandoah Valley. I was there to do a little research on family history. I drove straight to the spot known as Thoburn's Position - on the crest of a hill and field that slopes gently down to Cedar Creek. This is where Col. Joseph Thoburn's First Division, VII Corps had been posted, the far left of the Union line. I stood at the top of the field, the very spot where on October 19, 1864 Addison Cook, my great great grandfather on my father's side, had died. Addison was serving at Thoburn's Position in Battery D of the 1st PA light artillery. He was killed when Thoburn's Position was overwhelmed in a predawn attack by Confederate forces.
The Field Was Alive with Ghosts I shuddered looking down at the now-peaceful vista -- the wide field and rolling Virginia hills, the house and barn that mask the spot where the Confederates forded Cedar Creek, the more distant trees that mark the spot where Cedar Creek flows into the North Fork of the Shenandoah River. The field was alive with ghosts.
George P. Morgan, a member of Battery D who survived the battle, later recalled that he lay wounded, without medical attention, shot in the left hip and knee, for much of the day. He said he was "surrounded by about 70 or more dead and wounded men, some in severe agony." One of those men was my great great grandfather. He and the other casualties of Battery D reportedly died in hand-to-hand fighting, likely bayoneted or clubbed to death with muskets. I later found a grave marker for Addison in the nearby Winchester war cemetery.
It Has Haunted Me Ever Since The sight of that field at Cedar Creek has haunted me ever since my visit. I tried to exorcise it with a straightforward painting, a 12 x 9 representational view of the field itself. I called it "Field of War", and my son now owns the piece. While a fair rendition, it left me unsatisfied. I felt I should acknowledge somehow my great great grandfather's death. The thought gained further impetus when, not long after my visit to the battlefield, I learned through genealogical research that a second great great grandfather, on my mother's side, had also been at Cedar Creek that day. His name was Uranus Stacy and he served in the 29th Maine Infantry, part of the 1st Division of XIX Army Corps, at the center of the Union line. Stacy served two enlistments, and returned to Saco, Maine after the war, where he married, and had five children including my great grandmother Kate Stacy. Uranus was an early Congressional Medal of Honor recipient. He lived to the age of 86. Addison Cook, by contrast, was 30 when he fell at Cedar Creek. He left behind a wife and four children, including my great-grandmother Jenny Cook.
On Deliberate Disharmony I decided to commemorate both ancestors in a second piece. This time, however, I did a drawing and underpainting in Prussian Blue of a live soldier with a musket and a dead soldier who lay as he had fallen in a trench. The mainly blue vista on the left shows the detritus of battle, the green vista on the right shows the peaceful battlefield memorial area as it is today. The colors are deliberately jarring, and the trees are scraggy screeches against the sky. War is not harmonious and neither is this view. I called the painting "Field of Death" and it can be viewed in the "Memory" collection on my website. It is currently at the framers but will be available in a few weeks.
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Recognition for Kaak Seller
Shortly after getting back to Maine this month I received a bit of good news -- Jaffa Kaak Seller Circa 1940, my most recent painting, recreating a 1940 Middle East market scene from an old black and white photo, was selected among the FAV15 in the April 2023 Boldbrush art contest. The FAV15 is a selection of the favorite 15 percent of paintings by the Boldbrush staff who run a monthly international contest featuring entries of oil, acrylic, watercolor, pastel, drawings, mixed media, digital, fine arts photography and sculpture by artists from all over the world.
In April I counted 2,371 entries, so I was quite pleased to make the FAV15. I enter pieces in this competition most, but not all, months and this is the seventh time one of my paintings has made the top 15 percent. Kaak Seller is also at the framers as I write and likewise available some time in the next few weeks.

A New Home for Red Camp
As we were packing up in California to make the annual rotation east, I received welcome news from the Thos. Moser gallery that my Red Camp painting had graduated to a great new home with owners who divide their time between Michigan and Maine. This happened just before the Moser show wound up. My thanks to those new collectors and to all who visited and viewed this and other paintings at Thos. Moser this past winter and spring.

A Very Limited Edition
Last summer, for my solo show at the Blue Hill Library, I produced a special Limited Edition of just 15 signed and numbered prints of Christmas 1886, Portland Head Light. This is my painting of the shipwreck of the Annie C. Maguire on Christmas Eve, 1886. The original, which hangs in my home, is 28 x 20 inches. This limited edition print has an image area 10 inches high and 14 inches wide and a one-inch margin for overall dimensions of 16 x 12. At this writing, four of the 15 have been sold. Open edition prints of Christmas 1886 will remain available in other sizes, both smaller and larger, but I will not be making more in the popular 14 x 10 size.
Print sales this past month include Winter Lake (Thessaly, Greece) to a customer in Greece; The Last Supper to a buyer in Oregon; Ram Island Light (Boothbay Harbor) to a collector in Boothbay, a 12 x 8 of Christmas 1886 to a fellow member of the San Clemente Art Association in Southern California; and one of the remaining 14 x 10 Christmas 1886 limited edition pieces to a buyer here in Portland, Maine. Available Prints can be viewed at www.geogalleries.com/ddpearcefineart and at my Etsy store, which has a more limited selection of prints but features free shipping in the continental U.S.
For links to my Etsy shop (free shipping in U.S.), social media handles, and assorted press interviews, please see https://linktr.ee/ddpearcefineart


